France, b. 1982; lives and works in Paris and Dakar
Mame-Diarra Niang uses the camera as a tool for in-depth philosophical research, crystallizing impressions of scenes she later pieces together to form an abstracted, metaphorical landscape. In what she terms "the plasticity of territory," this personalization of space and distance serves to manifest Niang’s agency, which she extends to the viewer, encouraging them to join her in direct line across cities, cultures, and landscapes.
Contemplari 1a
Contemplari 1b
Contemplari 2a
Contemplari 2b, Satellite
Daniel 4.10
Détail du mur #3
Détail du mur #5
Eating the Sky
Glitch 1
Le mur #10
Le mur #3
Le mur #5
Le mur #6
Le peuple du mur #1
Le peuple du mur #2
Le peuple du mur #4
Le peuple du mur #5
Le peuple du mur #6
Monument 1b
Satellite 1
Sentinelle
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Vivencia